SHANKABOOT EPISODE 27

Press Politics and the Press: The subjects handled are varied, ranging from fiction to past memories e. This is a new narrative technique known as Digital Interactive Storytelling. However, the movement is only just beginning, and we will have to prove that there is potential for the long-term survival of the local transmedia productions and new storytelling genres up against the traditional mentality of the entertainment and media industry. This organisation uses the media to inform, educate, motivate and entertain the audience in more than 40 countries in the Middle East, Asia, Africa and Europe. To know the ethical rules and procedures for disclaimer, see our charter.

The debate on women and the adherence to particular faiths, addressed by Web users on the Shankaboot Facebook page, reveals the existence of many stereotypes, and the consequent urgency of promoting respect for religious and cultural diversity and creating conditions conducive to greater dialogue. The audience imagines the story and appreciates being both a witness to the characters and the events described as well as being an actor, unlike traditional theatre or film. Contact the editorial staff. Web drama development and features Shankaboot forms part of the Web drama concept that has been developing for more than a decade, particularly in the USA and the UK. Each episode is accompanied by a short comedy show, Waheed El-Booz , which presents the twists and turns in the life of a Beiruti electrician named Booz. One thing is sure: Photo taken during a shoot. Bringing together millions of internet users in record time

Web drama development and features Shankaboot forms part of the Web drama concept that has been developing for more than a decade, particularly in the USA and the UK. Writing reports no ethical problem to be brought to the attention of users on this article.

Accordingly, Shankaboot forms part of the social network movement spisode Facebook, Twitter, YouTube, etc. The question of financing independent local productions remains unsolved.

Consequently, what is to be feared is a loss of values in terms of narrative innovation and editorial input, as is the case with digital storytelling when produced by brands whose primary objective is to serve their own interests — unless they are not the originators of the creative process, but associate their image with the transmedia experience proposed to the public. Some are produced using the traditional tools of story- writing; others rely on interactivity with the public and can take many forms via the channels they use videos, blogs, appearance of characters on social networks, etc.

  FILM SERIAL CUCERITORUL EPISODUL 85

Shankaboot – Episode 1: Delivery Interrupted – band annie’s Weblog

This series was launched in March and portrays the daily life of young Beirut residents like Sleimane, a year-old courier who roams Beirut and its suburbs on his scooter, called Shankaboot; Roueida, a young woman who fled a violent husband and is trying to become a singing star; Shankanoot, her best friend with a shady background, etc.

Would you like to add or correct something? Shankaboot, a dynamic Web series Made in Beirut!

Contact the editorial staff. Cinema Who said Colombian cinema was entering its Golden Age? The production house bore in mind the unsatisfactory Internet connections currently available in Lebanon for quick and effective downloading of the episodes. Shankaboot is an interactive video series on the Web or a Web series filmed in Beirut, the Lebanese capital.

Moreover, one of the messages carried by the Shankaboot project is the importance of information and communication technologies in constructing a climate for dialogue and building bridges for understanding. Nevertheless, it is often circumvented, as was the case in the recent uprisings in the region, based partly on the use of social networks, mainly Facebook and Twitter.

Cinema Qatar, from black gold to the big screen As an economic lever, and as a vehicle for outreach and An alliance with major Arab media groups ready to invest in projects that for them represent a great marketing lever for capturing new audiences would not come about without a loss of independence and freedom of expression.

They make use of a specific camera style, close-ups or frequent direct-in-the-face shots. This is a new narrative technique known as Digital Interactive Storytelling.

  QUBOOL HAI 14 JANUARY 2014 WATCH ONLINE

The most popular has been viewed over 60, times.

According to the Center for Digital Storytellingthe digital story is a short video created by an individual combining sound, still and moving images, music and dialogue in a personalised narrative. Ideas Brazil at election time The role of the Brazilian media during the Lula years and To know the ethical rules and procedures for disclaimer, see our charter.

Bringing together millions of internet users in record time From the same author. As for censorship, it is still practised by several governments in the Arab world and the Middle East. The dialogues are in Lebanese dialect and the plots attract an audience of young people keen to get away from locally-produced televised series and imported series — Turkish and Mexican particularly — dubbed into literary Arabic.

The subjects handled are varied, ranging from fiction to past memories e. It should noted that the principle of interactivity was also recently used in an online cartoon, along the lines of Sarabthe first Arabic cartoon production whose hero inhabits a fantastic imaginary world and has the course of his life decided by the Web viewers.

A veritable first in the Arab world, Shankaboot is an interactive series aired only on the Web. This organisation uses the media to inform, educate, motivate and entertain the audience in more than 40 countries in the Middle East, Asia, Africa and Europe.

It has more than 10 years experience in supporting independent media including television series, radio programmes and training in journalism.

Shankaboot, or the Unprecedented Success of a Web drama in the Arab World

These series highlight togetherness and local community. Photo taken during a shoot.

This is particularly what the Shankaboot project, the first Web drama series in the Arab world, has to offer.

Author: admin